Nysiādes – Apocalypse
It’s not every day that a debut release arrives with such clarity of vision and emotional resonance. Apocalypse, the first chapter in the story of Nysiādes, is not just a sonic experience—it’s a statement of intent. Melding the evocative traditions of Mediterranean heritage with futuristic electronic textures, this EP marks the emergence of a project […] L'articolo Nysiādes – Apocalypse sembra essere il primo su Parkett.

It’s not every day that a debut release arrives with such clarity of vision and emotional resonance. Apocalypse, the first chapter in the story of Nysiādes, is not just a sonic experience—it’s a statement of intent. Melding the evocative traditions of Mediterranean heritage with futuristic electronic textures, this EP marks the emergence of a project that feels both ancient and entirely new.
The title track, Apocalypse, is a slow-burning revelation. It opens with a spacious and almost sacred atmosphere—lush pads and distant melodic whispers swirl around a grounded yet intricate rhythm. Elena Kulstof’s production is meticulous, seamlessly fusing analog warmth with crisp digital precision. The beat unfolds with an organic pulse, anchored by a deep, emotional bassline that never overwhelms but instead breathes with the track, like a heartbeat under the surface.
Francesca Monte’s vocals are the centerpiece here—haunting, dynamic, and intimate. Her delivery carries both the vulnerability of reflection and the strength of survival. The lyrics are poetic yet piercing, evoking the catharsis of collapse and the quiet hope of rebirth. Lines like “there’s rhythm in grief and melody in hope” aren’t just metaphor—they’re a lived truth that permeates every measure of the song.
Instrumentally, the contributions of Rebecca Speller and Yiolanda Loizou are what elevate Apocalypse into something timeless. Rebecca’s flute lines move like wind through ruins—airy, melodic, and emotionally direct—while Yiolanda’s delicate string work adds an earthy, organic counterbalance to the synthetic backbone. The result is a rich, multi-layered tapestry that invites the listener into a liminal space, where electronic and acoustic, past and future, collapse into one.
The three remixes included in the release reinterpret the track with distinct personalities. Vikthor’s version brings a darker, club-ready edge with driving techno rhythms, while Komoya injects a tribal groove, highlighting the track’s ritualistic undertones. Elihu’s remix, on the other hand, feels more introspective, emphasizing ambient textures and vocal reverberations that echo into an endless night. Each remix reframes the original while respecting its emotional core.
Beyond the technical and artistic merits, what makes Apocalypse truly special is its sense of purpose. This is a song born not just from musical collaboration, but from personal connection—four women brought together almost by chance, choosing to create something meaningful out of the unknown. The creative process feels deeply intentional and collaborative, and that energy is palpable in every note.
Released via Café De Anatolia, a label known for celebrating boundary-breaking and culturally rich music, Nysiādes have found a fitting home. This debut feels perfectly aligned with the platform’s ethos—an offering of sound and spirit that transcends borders, genres, and expectations.
Apocalypse is a bold and beautiful beginning. It captures transformation in motion, inviting us to let go, to dance through the collapse, and to emerge together—changed, yet connected. We’re proud to host this release on our webzine and cannot wait to see where Nysiādes go from here.
L'articolo Nysiādes – Apocalypse sembra essere il primo su Parkett.