Appendix from FILM: THE FRONT LINE 1983 (part three)

My book Film: The Front Line 1983 (Denver: Arden Press), intended by its editor-publisher to launch an annual series, regrettably lasted for only one other volume, by David Ehrenstein, after two other commissioned authors failed to submit completed manuscripts. Miraculously, however, this book remained in print for roughly 35 years, and now that it’s finally reached the end of that run (although some copies can still be found online), I’ve decided to reproduce more of its contents on this site, along with links and (when available) illustrations. I’m beginning with the book’s end, an Appendix subtitled “22 More Filmmakers,” which I’m posting here in three installments, along with links and (when available) illustrations. — J.R. MAURIZIO NICHETTI is a name I happen to know strictly by chance. My last trip to Europe (and only trip to Italy) consisted of three days at the Venice Film Festival in 1979, where I was invited to participate in a conference devoted to Cinema in the Eighties. And as I noted in an account of that conference in the December 1979 American Film, one film that I happened to see during those three days, Maurizio Nichetti’s Ratataplan — a first feature with an onomatopoeic title based on the sound of a drum cadence — may have actually suggested more about the subject of the conference than any of the lectures I heard. Read more

Mar 21, 2025 - 07:33

Appendix from FILM: THE FRONT LINE 1983 (part three)

My book Film: The Front Line 1983 (Denver: Arden Press), intended by its editor-publisher to launch an annual series, regrettably lasted for only one other volume, by David Ehrenstein, after two other commissioned authors failed to submit completed manuscripts. Miraculously, however, this book remained in print for roughly 35 years, and now that it’s finally reached the end of that run (although some copies can still be found online), I’ve decided to reproduce more of its contents on this site, along with links and (when available) illustrations. I’m beginning with the book’s end, an Appendix subtitled “22 More Filmmakers,” which I’m posting here in three installments, along with links and (when available) illustrations. — J.R.

MAURIZIO NICHETTI is a name I happen to know strictly by chance. My last trip to Europe (and only trip to Italy) consisted of three days at the Venice Film Festival in 1979, where I was invited to participate in a conference devoted to Cinema in the Eighties. And as I noted in an account of that conference in the December 1979 American Film, one film that I happened to see during those three days, Maurizio Nichetti’s Ratataplan — a first feature with an onomatopoeic title based on the sound of a drum cadence — may have actually suggested more about the subject of the conference than any of the lectures I heard. Read more