Lwlies

The quiet intensity of Lee Kang Sheng’s gaze

Through his collaborations with Tsai Ming Liang and new work with Constance Tsan...

Thunderbolts* review – the best Marvel film in a while

There's a lot of superficial fun to be had with this superhero romp, which hasn’...

Psychlo killer: Battlefield Earth 25 years on

Scientology's spectacular flop went down in history for all the wrong reasons. A...

Until Dawn review – an insulting parade of tedium

David F Sandberg's tangentially related adaptation of Supermassive Games' horror...

Pretend it’s a video game: How films emulate gaming mec...

As a (very loose) adaptation of Until Dawn hits cinemas, it's worth investigatin...

The Accountant 2 review – tonally wild and uneven but o...

Ben Affleck's autistic hitman with a gift for numbers returns in Gavin O'Connor'...

Julie Keeps Quiet review – a slick, steely piece of sto...

A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’...

Bodies, Babies and Birth Control in April and All We Im...

At a time when access to birth control and abortion is banned, restricted or und...

Cloud review – all-time bleakest episode of Only Fools ...

Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 200...

The Legend of Ochi review – well-crafted but tame famil...

A shy young girl embarks on a mission to save a mystical creature in Isaiah Saxo...

The Ugly Stepsister review – a mean-spirited Cinderella...

Emilie Blichfeldt takes on medieval beauty standards in this gory reframing of t...

April review – eerily elusive, superbly acted and crafted

Dea Kulumbegashvili’s stark Georgian drama follows an obstetrician who moonlight...

Spectacles of suffering and fascism in cinema

Across the cinema of Pier Paolo Pasolini, Guillermo del Toro and Brady Corbet, t...

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