![Nightdive Bringing ‘I Have No Mouth, and I Must Scream’ to Consoles Next Week [Trailer]](https://bloody-disgusting.com/wp-content/uploads/2025/03/ihavenomouth.jpg)
![Jonathan Majors Admits To Strangling Ex-Girlfriend In Unearthed Audio Ahead Of ‘Magazine Dreams’ Release This Week [Report]](https://cdn.theplaylist.net/wp-content/uploads/2023/01/21072529/lmrxao950Magazine-Dreams-Still-1.jpeg)
.jpg?width=1920&height=1920&fit=bounds&quality=80&format=jpg&auto=webp#){kind=tracking}
![[Podcast] Should Brands Get Political? The Risks & Rewards of Taking a Stand with Jeroen Reuven Bours](https://justcreative.com/wp-content/uploads/2025/03/jeroen-reuven-youtube-1.png)
![[Podcast] Should Brands Get Political? The Risks & Rewards of Taking a Stand with Jeroen Reuven](https://justcreative.com/wp-content/uploads/2025/03/jeroen-reuven-youtube.png)
A CELEBRATION
Four years ago, in Sarajevo, I assigned my filmmaking students at Film.Factory to make five-minute “remakes” of Seijun Suzuki’s Pistol Opera. One of those students, Ghazi Alqudcy, asked me to costar in his own film, A Celebration, along with Gonzalo Escobar Mora — who subsequently moved to Chicago for a spell, along with another of my Film.Factory students, Emma Rozanski. Here is Ghazi’s film: password: filmfactory [5/28/18] Read more
Four years ago, in Sarajevo, I assigned my filmmaking students at Film.Factory to make five-minute “remakes” of Seijun Suzuki’s Pistol Opera. One of those students, Ghazi Alqudcy, asked me to costar in his own film, A Celebration, along with Gonzalo Escobar Mora — who subsequently moved to Chicago for a spell, along with another of my Film.Factory students, Emma Rozanski.
Here is Ghazi’s film:
password: filmfactory
[5/28/18] Read more
