‘The Baltimorons’ Review: Jay Duplass’ Hilarious May/December After Hours Adventure Is A Super Winning Charmer [SXSW]
What if Martin Scorsese’s “After Hours” was transformed from something less comedically nihilistic and Kafka-esque and shifting towards the unexpected romantic comedy genre with a dash of May/December age and cultural differences on top to give it extra flavor and dimension? That’s not exactly what Jay Duplass’ excellent new comedy, “The Baltimorons,” is in total shape—you’d need to add some “Harold & Maude” and the general naturally sublime bittersweet shagginess of Hal Ashby films— but that description of this super eccentric and quirky picture is undoubtedly more accurate than your regular meet-cute romantic comedy. Continue reading ‘The Baltimorons’ Review: Jay Duplass’ Hilarious May/December After Hours Adventure Is A Super Winning Charmer [SXSW] at The Playlist.
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What if Martin Scorsese’s “After Hours” was transformed from something less comedically nihilistic and Kafka-esque and shifting towards the unexpected romantic comedy genre with a dash of May/December age and cultural differences on top to give it extra flavor and dimension? That’s not exactly what Jay Duplass’ excellent new comedy, “The Baltimorons,” is in total shape—you’d need to add some “Harold & Maude” and the general naturally sublime bittersweet shagginess of Hal Ashby films— but that description of this super eccentric and quirky picture is undoubtedly more accurate than your regular meet-cute romantic comedy.