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True/False Film Fest 2025: Excavation, Therapy, Protest
Hu Sanshou’s Resurrection premiered at last year’s Taiwan International Documentary Festival; this year, the director was awarded the annual True Vision award at True/False before the first of two showings of this feature. A classically exemplary slab of rigorously conceived Chinese nonfiction, Hu’s fifth feature was executed under the larger auspices of the Folk Memory Project, a group of Chinese films focusing on the Great Famine of 1959-61. Resurrection’s first 15 minutes are giganticist in the vein of Zhao Liang’s Behemoth minus funky distorting lenses, beginning with an extremely gods-eye perspective of a tractor working cliffside, a tinily perceptible human […] The post True/False Film Fest 2025: Excavation, Therapy, Protest first appeared on Filmmaker Magazine.
Hu Sanshou’s Resurrection premiered at last year’s Taiwan International Documentary Festival; this year, the director was awarded the annual True Vision award at True/False before the first of two showings of this feature. A classically exemplary slab of rigorously conceived Chinese nonfiction, Hu’s fifth feature was executed under the larger auspices of the Folk Memory Project, a group of Chinese films focusing on the Great Famine of 1959-61. Resurrection’s first 15 minutes are giganticist in the vein of Zhao Liang’s Behemoth minus funky distorting lenses, beginning with an extremely gods-eye perspective of a tractor working cliffside, a tinily perceptible human […] The post True/False Film Fest 2025: Excavation, Therapy, Protest first appeared on Filmmaker Magazine.
