Richard Linklater’s Nouvelle Vague and Blue Moon Set Fall Releases

After releasing two films last year with Hit Man and the rather-overlooked God Save Texas: Hometown Prison, the ever-prolific Richard Linklater returns in 2025 with two more features. Earlier this year he premiered Blue Moon (starring Ethan Hawke, Margaret Qualley, Bobby Cannavale, and Andrew Scott) at Berlinale. Now Sony Pictures Classics, in the official CinemaCon program guide, has confirmed a fall release window for the drama.

Described as “a funny Valentine to old Broadway,” here’s the synopsis: “On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers celebrates the opening night of his ground-breaking hit musical Oklahoma!“

Meanwhile, Linklater looks to have locked his next feature Nouvelle Vague, his tribute to the French New Wave and chronicle of the making of Breathless, directed in the style of Jean-Luc Godard’s landmark debut. While it’s still seeking U.S. distribution, French distributor ARP Sélection has confirmed an October 8 release in France and a runtime of 105 minutes.

The cast includes Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, Aubry Dullin as Jean-Paul Belmondo, Matthieu Penchinat as Raoul Coutard, Adrien Rouyard as François Truffaut, Antoine Besson as Claude Chabrol, Roxane Rivière as Agnès Varda, Jean-Jacques Le Vessier as Jean Cocteau, Côme Thieulin as Éric Rohmer, Laurent Mothe as Roberto Rossellini, Jonas Marmy as Jacques Rivette, and more.

See the early sales poster for Nouvelle Vague below.

David Katz said in his review, “Blue Moon, which world-premiered at the Berlinale, is another beautifully personal work from Linklater, full of authorial idiosyncrasies and tics, but distinguishing the film from his corpus is it being the kind you can only make at a mature career stage. It’s not so much that Linklater has nothing to prove––screenplays like Robert Kaplow’s and its rarified, remote milieu of mid-WWII New York theaterland can typically send financiers balking. With a ‘legacy’ career, little favors and gives come your way; for Linklater, maybe his next will be a legitimate awards contender, and new relationships with acting talent can be brought to bear. And different or lower expectations for the end product allow him to really express who he is as an artist at this point in his life.”

Stay tuned as we await news of a likely Cannes Film Festival debut for Nouvelle Vague, as well as U.S. distribution, and a precise fall date for Blue Moon.

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