R&B/Hip-Hop Fresh Picks of the Week: KWN, Sabrina Claudio, Annie Tracy & More

With Coachella dominating the cultural conversation over the weekend, festival season is in full bloom. During Weekend One (April 11-13), the iconic Cali festival featured showstopping performances from Megan Thee Stallion, Tyla, Missy Elliott, Mustard, Shoreline Mafia, T-Pain, Three 6 Mafia, Glorilla, 4batz, Thee Sacred Souls, Tink, Ty Dolla $ign, Rema, Amaarae, BigXthaPlug, Muni Long and Travis Scott — who mounted a fantasy world with his headlining set, which included a mash-up of his own “Modern Jam” and Drake’s “Nokia.”

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Outside of Coachella, live music remained the center of conversation in hip-hop and R&B. On Thursday (April 10), Mary J. Blige played her first solo headlining show at New York City’s Madison Square Garden, featuring opening sets from Mario and Ne-Yo, and guest appearances by Fabolous, Jadakiss and A Boogie wit da Hoodie. The following day (April 11), dancehall legend Vybz Kartel played his first U.S. shows in over 20 years with his first of two sold-out Barclays Center dates in Brooklyn, N.Y. Like Blige, Kartel brought out several guests, including Spice, Rvssian, Blak Ryno, Jah Vinci and Busta Rhymes. Over at the Blue Note, Saba hosted a six-show mini-residency in support of his latest project, From the Private Collection of Saba and No ID.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from kwn’s newest bedroom banger to Saint Lamaar’s smooth Lizzen remix. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: kwn, “Do What I Say”

Billboard‘s R&B Rookie of the Month for March has unleashed her first solo single of 2025 following successful team-ups with Kehlani (“Worst Behaviour”) and Jordan Adetunji (“Too Many Women”). On the self-written and produced track, kwn further leans into the sensual, dominant lane she’s established with her releases over the past few years. “Paint your nails the way I like ’em/ Uh-huh, s–t/ I might paint mine too/ ‘Cause I know a place I can hide ‘em/ And it’s inside you, ohhh,” she croons in the disarming first verse, immediately pulling her audience into the bedroom making each of them her subjects. With her glossy vocals gliding across the track’s hip-hop percussion and vibrant guitar riffs makes for a smart extension to the colors and sounds she dabbled in on 2022’s Episode Wn EP. — KYLE DENIS

Lihtz, “Margaritas”

This joint is way different than the funny and creative “Simple Souls” pop song Lihtz dropped a few weeks back, but it shows off the Philly artist’s versatility. He’s switching in and out of flows on “Margaritas” just as he switches in and out of genres. I feel like Lihtz is gonna be someone to pay attention to this summer. — ANGEL DIAZ

Jastin Martin, “Again – ’24 (Extended)”

Jatin Martin’s elongated version of fan favorite “Again” is filled with emotional, unpacking the mental exhaustion of loving someone who keeps letting you down. Over a moody, guitar-laced beat, she paints a portrait of repeated heartbreak, singing, “Why did you come ’round again/ Just to let me down again.” But, there’s now a newfound strength in Jastin as she admits the cycle has changed her, saying she turned “to a savage” to protect her peace. By the end, she draws a hard line: “Nah, I’m straight homie,” she declares — setting a boundary and reclaiming her power. This track is a slow-burning, late-night anthem for anyone who’s ever had to choose themselves to finally break free from a relationship they knew was no good. — CHRISTOPHER CLAXTON

Sabrina Claudio, “Before It’s Too Late”

Sabrina Claudio kicked off 2025 with the tender “Need U to Need Me” in March, and she returned with the airy “Before It’s Too Late” on Friday (April 11). Time is the resource we’re all looking to somehow find more of, but it just can’t be bought. Claudio harps on the relatable topic, whether it’s a significant other, parent, or friend, everyone worries about not making the most of what we have left. The R&B singer-songwriter’s dreamy vocals provide a warm blanket to the electronic guitar riff, which is accompanied by a cinematic visual capturing a romantic getaway ride into the countryside. — MICHAEL SAPONARA

4batz, “n da morning”

4batz’s “n da morning” plays like a hazy love spell with equal parts bedroom confession and emotional affirmation. Anchored by the recurring line “In the morning, when you wake, girl I be on it,” the track exudes intimacy, trust, and an all-consuming pull to devotion. When 4batz sings “we locked in,” it’s a quiet declaration of loyalty — no outside noise, just a bond that stretches from dusk to dawn. “n da morning” is a soft track for anyone wrapped up in something that feels deeper than just the night before and the night ahead. — C.C.

YL & Subjxct 5, “Bobyahead2dis”

From the upcoming tape RRR & 2oo4 Presents…Only Ones Taxin and produced by Jersey producer Subjxct 5, “Bobyahead2dis” features NYC’s own and RRR co-founder YL raps about trying to make it in the city that never sleeps during these trying times. If the rest of the tape sounds like its lead single, then you should have no problem putting this in your summer rotation. — A.D.

Lizzen & Saint Lamaar, “Sweet Thing (Work It Out) [Remix]”

Just a short while after breaking through with “Buss At You,” rising R&B star Saint Lamaar slides on the remix for Lizzen’s “Sweet Thing.” “I think I sent you love/ Girl, let me pick you up/ You look so good, don’t make no sense, that s–t ridiculous/ I’ll be the shoulder you can cry on, tell your issues, love,” he croons in his verse, perfectly matching the lovey-dovey energy Lizzen exudes on the original cut. His slightly hoarse, charismatic tone pairs well with soulful timbre, making for a duet that recalls the rugged sheen of early-’00s hip-hop and R&B collaborations. – K.D.

Annie Tracy, “To Love and Be Loved”

Annie Tracy’s “To Love and Be Loved” is a glowing ode to the kind of love “where all your troubles melt away.” From the very first few lines — “These words they won’t come out” — Tracy captures that overwhelmed, heart-on-fire feeling of trying to describe something too big for language. But even without the perfect words, the emotion radiates through. The track moves from hushed vulnerability to full-on celebration, soundtracking both the stillness of being understood and the joy of nights spent dancing, laughing, and getting lost in each other’s company. — C.C.