Filmmakermagazine

Taking Everything to Extremes: A Conversation Between M...

“Architecture is a language. When you are very good, you can be a poet.” So wrot...

Considerations: Some Final Predictions

Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Consideration...

Mirror Mirror: Lucile Hadžihalilović on Berlinale 2025 ...

We didn’t have to wait too long after Earwig (2021) for Lucile Hadžihalilović’s ...

Slamdance Co-Founder Peter Baxter and Fest Director Tay...

Los Angeles is a city in constant renewal. When the Arclight Cinemas closed duri...

Taking Everything to Extremes: A Conversation Between M...

“Architecture is a language. When you are very good, you can be a poet.” So wrot...

Inspired by Springfield and Sesame Street: Osgood Perki...

“Everybody dies, and that’s life,” one character proclaims in Osgood Perkins’ Th...

You Can Never (Maybe?) Break the Chain: Rebecca Lenkiew...

Spanish seaside entanglements, a combustive mother-daughter relationship, myster...

“Genocide Brain”: Christine Haroutounian on Berlinale 2...

The title of Christine Haroutounian’s first feature, After Dreaming, suggests a ...

“1.66 Just Felt Good”: DP Jarin Blaschke on Nosferatu

Over the course of his four feature films, Robert Eggers has gained a reputation...

“Meredith Understood That I Needed the Freedom to Creat...

Billy Shebar’s Monk in Pieces stars Meredith Monk, an artist so singular as to b...

“I Want Everyone to be Jarred by It…Especially the Men ...

Lucy Boynton is known for delivering exceptional performances in films like Sing...

“The Film is Not a Resistance Film”: Juanjo Pereira on ...

A row of men sit proudly on horses as a white flag drifts languidly in the wind....

“It Carries the Weight of Improvisation but Also Inevit...

Liryc Dela Cruz’s Where the Night Stands Still (Come la Notte) takes the simples...

IFFR 2025: Bright Futures (and Others)

Famously and by historical design, the International Film Festival Rotterdam is ...

Five Films that Influenced Alex Thompson’s Hospital Thr...

Rounding, the new film from Alex Thompson, who directed Saint Frances and, with ...

“We Couldn’t Find that Exact Beige — It Was a Real Stru...

Driving around Montreal on a gray November day with Universal Language writer-di...

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