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Feb 22, 2025 0
“Architecture is a language. When you are very good, you can be a poet.” So wrot...
Feb 21, 2025 0
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Consideration...
Feb 20, 2025 0
We didn’t have to wait too long after Earwig (2021) for Lucile Hadžihalilović’s ...
Feb 20, 2025 0
Los Angeles is a city in constant renewal. When the Arclight Cinemas closed duri...
Feb 20, 2025 0
“Architecture is a language. When you are very good, you can be a poet.” So wrot...
Feb 20, 2025 0
“Everybody dies, and that’s life,” one character proclaims in Osgood Perkins’ Th...
Feb 19, 2025 0
Spanish seaside entanglements, a combustive mother-daughter relationship, myster...
Feb 18, 2025 0
The title of Christine Haroutounian’s first feature, After Dreaming, suggests a ...
Feb 18, 2025 0
Over the course of his four feature films, Robert Eggers has gained a reputation...
Feb 18, 2025 0
Billy Shebar’s Monk in Pieces stars Meredith Monk, an artist so singular as to b...
Feb 18, 2025 0
Lucy Boynton is known for delivering exceptional performances in films like Sing...
Feb 17, 2025 0
A row of men sit proudly on horses as a white flag drifts languidly in the wind....
Feb 15, 2025 0
Liryc Dela Cruz’s Where the Night Stands Still (Come la Notte) takes the simples...
Feb 14, 2025 0
Famously and by historical design, the International Film Festival Rotterdam is ...
Feb 14, 2025 0
Rounding, the new film from Alex Thompson, who directed Saint Frances and, with ...
Feb 14, 2025 0
Driving around Montreal on a gray November day with Universal Language writer-di...
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