Filmmakermagazine

“Raise Your Head, We are Making an Honorable Film”: He...

Refusing a single dominant system of values in Lebanon as the secular daughter o...

Memories of Yugoslavia: Iva Radivojević on When the Pho...

Iva Radivojević has established a reputation for crafting precise yet elliptical...

True/False Film Fest 2025: Excavation, Therapy, Protest

Hu Sanshou’s Resurrection premiered at last year’s Taiwan International Document...

“Telling the Story Non-Linearly Felt Essential Because ...

Emma Laird is both incandescent and haunted as she limns the before and after of...

“I Love 16mm”: Deniz Eroglu on The Shipwrecked Triptych

When I emailed gallery artist and filmmaker Deniz Eroglu to set up an interview ...

“It Felt As If She Were Actually Speaking to Me About T...

Rachel Mason’s Last Take: Rust and the Story of Halyna makes its point crystal c...

“I Wanted to Make Sure That My Version Was Additive”: W...

“I’ve been young for so long, and so old for longer.”  — Durga Chew-Bose, from T...

“I Always Make What I Can and Not What I Want”: Bruno D...

With The Empire, French filmmaker Bruno Dumont’s career is now evenly split betw...

“The Only Way I Can Go on a Set Is If My Head is Out on...

An actor’s actor of the first order, Vincent D’Onofrio has been delivering “all ...

“Slime Everywhere”: Grace Glowicki and U.S. Girls’ Meg ...

A lonely woman, solely referred to as Gravedigger, has never known romance due t...

“This is Part of Where Our Title Came From — the Amount...

While sitting on a raft in the middle of a Southern swamp, AP (Annapurna Sriram)...

“This Isn’t Air Bud or Lassie, Where the Dog is Always ...

From a simple observation of canine behavior —”What dog owner hasn’t wondered wh...

“Miami is the City of Hustle”: Jing Ai Ng on SXSW 2025 ...

Common associations audiences might have with Miami: ruise lines, café con leche...

“I Aimed to Capture the Subtle Cruelties of Social Isol...

Shorts filmmaker Yana Alliata, who has worked in various film industry jobs (Fox...

“Intersex People Don’t Need To Be Fixed”: Grace Hughes-...

A seemingly breakthrough medical innovation from the ’60s set off a still-ongoin...

“… The Visual Approach of the Documentary is Deeply Inf...

As its nonsensical title might imply, Elaine Epstein’s Arrest the Midwife center...

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