Once Upon a Witch’s Death Has Solid Episodic Potential
Some of my favorite anime series are ones that follow an episodic structure, where almost every new episode follows a new smaller storyline for the main characters. Once Upon a Witch’s Death slots nicely into this episodic structure and is at its best when it focuses on those smaller, more serious storylines rather than its comedic moments. The story of this Spring 2025 anime series follows Meg, a young witch that finds out on her birthday that she will die in a year’s time due to a curse. In order to reverse the curse and continue living in a year, she must gather a thousand pure tears of joy from people. This pretty much nets out to just under three tears per day for the next year. Image via EMT Squared The premise alone is a pretty serious one, dealing with the inevitability of death. That said, it does take a bit before Once Upon a Witch’s Death fully realizes the potential of this story. Instead, it spends more than half of the first episode dealing with the comedic moments between Meg Raspberry, her friends, and her witch master who raised her. These more comedic moments of Meg flirting or joking with characters and vice versa fall a bit flat. This show isn’t the strongest when it comes to witty jokes or writing, so these sequences often feel like they're padding out the time before the good stuff. Of course, that good stuff is the numerous storylines that Meg deals with on a daily basis. In the first episode alone, Meg helps a young girl and her father with the mother of the family that is asleep. This leads to a magical and emotional sequence of events that is just tragic enough without being overwhelming. it even gets better in the second episode when we see Meg deal with a couple of these serious instances back-to-back. The end of the second episode of Once Upon a Witch’s Death, in particular, is a standout sequence. It deals with grief, dying, and moving on in some powerful ways. But the best part of all of it is the writers for the anime series know when to not be too heavy-handed. As you might know yourself, anime is often a bit too forceful in its tragedy and heart-breaking scenes. Image via EMT Squared Thankfully, Once Upon a Witch’s Death navigates these sadder moments beautifully. These scenes are short, sweet, and to the point without wallowing too much in the depressing side. In fact, I greatly appreciate that Meg’s entire purpose is to get tears of joy. Most surprisingly, these tears often come out of otherwise saddening experiences. These episodes act as great coming-of-age lessons about finding the positive in the midst of the negative. The production quality of the series is decent enough to help with the story. I will say that the animation quality is a bit behind most other similarly serious episodic series out there. Think of the greats like Violet Evergarden, Death Parade, and more. Unfortunately, Once Upon a Witch’s Death tends to have animation that is more akin to a typical fantasy or isekai series. That said, don’t let the animation and its lackluster attempts at times at funny writing fool you. This show is well worth a watch for the Spring 2025 season if you want something a bit more serious with an equally emotional opening song. Once Upon a Witch’s Death is at its best when it focuses on the episodic, often tearjerker mini-storylines. If you’re into anime that smartly navigates these tough topics with solid pacing, you’ll like enjoy this one. Once Upon a Witch’s Death is streaming right now on Crunchyroll. The post Once Upon a Witch’s Death Has Solid Episodic Potential appeared first on Siliconera.

Some of my favorite anime series are ones that follow an episodic structure, where almost every new episode follows a new smaller storyline for the main characters. Once Upon a Witch’s Death slots nicely into this episodic structure and is at its best when it focuses on those smaller, more serious storylines rather than its comedic moments.
The story of this Spring 2025 anime series follows Meg, a young witch that finds out on her birthday that she will die in a year’s time due to a curse. In order to reverse the curse and continue living in a year, she must gather a thousand pure tears of joy from people. This pretty much nets out to just under three tears per day for the next year.
The premise alone is a pretty serious one, dealing with the inevitability of death. That said, it does take a bit before Once Upon a Witch’s Death fully realizes the potential of this story. Instead, it spends more than half of the first episode dealing with the comedic moments between Meg Raspberry, her friends, and her witch master who raised her.
These more comedic moments of Meg flirting or joking with characters and vice versa fall a bit flat. This show isn’t the strongest when it comes to witty jokes or writing, so these sequences often feel like they're padding out the time before the good stuff. Of course, that good stuff is the numerous storylines that Meg deals with on a daily basis.
In the first episode alone, Meg helps a young girl and her father with the mother of the family that is asleep. This leads to a magical and emotional sequence of events that is just tragic enough without being overwhelming. it even gets better in the second episode when we see Meg deal with a couple of these serious instances back-to-back.
The end of the second episode of Once Upon a Witch’s Death, in particular, is a standout sequence. It deals with grief, dying, and moving on in some powerful ways. But the best part of all of it is the writers for the anime series know when to not be too heavy-handed. As you might know yourself, anime is often a bit too forceful in its tragedy and heart-breaking scenes.
Thankfully, Once Upon a Witch’s Death navigates these sadder moments beautifully. These scenes are short, sweet, and to the point without wallowing too much in the depressing side. In fact, I greatly appreciate that Meg’s entire purpose is to get tears of joy. Most surprisingly, these tears often come out of otherwise saddening experiences. These episodes act as great coming-of-age lessons about finding the positive in the midst of the negative.
The production quality of the series is decent enough to help with the story. I will say that the animation quality is a bit behind most other similarly serious episodic series out there. Think of the greats like Violet Evergarden, Death Parade, and more. Unfortunately, Once Upon a Witch’s Death tends to have animation that is more akin to a typical fantasy or isekai series.
That said, don’t let the animation and its lackluster attempts at times at funny writing fool you. This show is well worth a watch for the Spring 2025 season if you want something a bit more serious with an equally emotional opening song. Once Upon a Witch’s Death is at its best when it focuses on the episodic, often tearjerker mini-storylines. If you’re into anime that smartly navigates these tough topics with solid pacing, you’ll like enjoy this one.
Once Upon a Witch’s Death is streaming right now on Crunchyroll.
The post Once Upon a Witch’s Death Has Solid Episodic Potential appeared first on Siliconera.