![‘KARMA: The Dark World’ Receives New “Filter Mode” to Celebrate Launch [Trailer]](https://bloody-disgusting.com/wp-content/uploads/2024/06/karma.jpg)
![The Depressing Relevance of ‘The Stepford Wives’ [Horror Queers Podcast]](https://bloody-disgusting.com/wp-content/uploads/2025/04/Stepford-Wives.jpg)
![‘F1,’ ‘Weapons’ & Leonardo DiCaprio Give Warner Bros Some Life [CinemaCon]](https://cdn.theplaylist.net/wp-content/uploads/2025/04/01234706/HallTaylorDiCaprioCinemaConStage.jpg)
![‘Superman’ Sneak Features Feisty Krypto And Super Robots [CinemaCon]](https://cdn.theplaylist.net/wp-content/uploads/2025/04/01222722/SupermanFlyingArtic.jpg)
.jpg?width=1920&height=1920&fit=bounds&quality=80&format=jpg&auto=webp#)
.jpg?width=1920&height=1920&fit=bounds&quality=80&format=jpg&auto=webp#)
Introducing Paul Mescal, Joseph Quinn, Barry Keoghan & Harris Dickinson As ‘The Beatles’ [CinemaCon]
Tom Rothman, Chairman and CEO of Sony Pictures, doesn’t have a reputation for taking chances as a film executive. In many ways, that’s partially unfair. While at 20th Century Fox, he was part of the team that greenlit James Cameron’s “Titanic” and “Avatar” endeavors, which could have been financial disasters, and allowed Searchlight to acquire a movie Warner Bros. wanted no part of, a little Best Picture winner known as “Slumdog Millionaire.” But Rothman’s tenure at Sony Pictures can be summed up almost exclusively as “safe” choices. Continue reading Introducing Paul Mescal, Joseph Quinn, Barry Keoghan & Harris Dickinson As ‘The Beatles’ [CinemaCon] at The Playlist.
![Introducing Paul Mescal, Joseph Quinn, Barry Keoghan & Harris Dickinson As ‘The Beatles’ [CinemaCon]](https://cdn.theplaylist.net/wp-content/uploads/2025/03/31234811/TheBeatlesCast.jpg)
Tom Rothman, Chairman and CEO of Sony Pictures, doesn’t have a reputation for taking chances as a film executive. In many ways, that’s partially unfair. While at 20th Century Fox, he was part of the team that greenlit James Cameron’s “Titanic” and “Avatar” endeavors, which could have been financial disasters, and allowed Searchlight to acquire a movie Warner Bros. wanted no part of, a little Best Picture winner known as “Slumdog Millionaire.” But Rothman’s tenure at Sony Pictures can be summed up almost exclusively as “safe” choices.
