Onathanrosenbaum

Review of THE LOST WORLD OF DEMILLE

From the Fall 2020 issue of Cineaste. — J.R. The Lost World of DeMille   By Joh...

The Great Garrick

From the Chicago Reader (October 5, 2001). — J.R. Conceivably the ...

A Mankless Credit

Herman Mankiewicz is undoubtedly the victim of a credit thief, but the thief...

Review of THE LIBERATED FILM CLUB

Published in Screen Slate on October 13, 2021. — J.R. Two book launch...

En movimiento: Herzog’s Tweet Factor

My column for Caiman Cuadernos de Cine, adapted from a longer piece written for ...

The Good, the Bad, and the English [DEAD AGAIN]

From the Chicago Reader (August 30, 1991). — J.R. DEAD AGAIN ...

Creative Overload [on PIERROT LE FOU]

From the June 9, 1989 Chicago Reader. –J.R. PIERROT LE FOU **** (Masterpiece) D...

Scent Of A Woman

From the Chicago Reader (December 1, 1992).  Al Pacino’s winning entry in the di...

Aparajito

From the Chicago Reader (August 25, 1995). — J.R. The second installment of Sat...

Seven Views of Water under the Warsaw Bridge

 Posted on MUBI Notebook February 25, 2020. — J.R. 1. Written in 2007 for Sight...

Hell on Wheels

From the March 1, 1996 issue of the Chicago Reader. —J.R. Taxi Driver Directed ...

The Horse Thief

From the April 1, 1988 Chicago Reader. — J.R. Tian Zhuangzhuang’s 1985 featur...

Homicide

From the Chicago Reader (October 1, 1991). — J.R. David Mamet shares with Ernes...

JFK

From the September 1, 1991 Chicago Reader. — J.R. It’s a fair sign of the capri...

Five Best Digital Releases, 2020 (for Sight and Sound)

Submitted on October 29, 2020. — J.R. Five Best Digital Releases Jonathan...

The Best Video Essays of 2020 (for SIGHT AND SOUND)

Best Video Essays (alphabetical order):           L’Année Dernière à Dach...

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