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How The Oners in 'The Studio' Add Up To A Series Philosophy
It feels like I have been measuring this year based on the days I spent without The Studio in my life, and now that it's here, all the laughs and fun times I've had since it debuted. It's easily become my favorite show on TV because it shows a depth to Hollywood and the situations it describes, even the most ludicrous ones, all have a sense of reality. One of the ways they get across the frantic and manic parts of making movies and TV is that they shoot the show largely in oners. It's a deliberate choice by Seth Rogen and Evan Goldberg that elevates the storytelling and works in tandem with the themes. Let's dive in. Based on insights from Seth and Evan in the video, this challenging approach of shooting mostly oners for every episode was a deliberate choice for their show. Filming a scene in one long shot isn't easy; it demands intense focus and precision from everyone involved, both cast and crew. There's no cutting away, so every moment has to be perfect.So, why choose such a demanding method for a television show? Well, Seth and Evan believe it adds a unique, almost play-like feel to the scenes, making them more cohesive and engaging. You can see the chemistry with the acting, and you get a lot more natural movement. Their goal wasn't just to get the scene filmed, but to capture it in the most interesting way possible, even if it meant embracing the difficulty.And you can see that in the performances, which never feel like they know there's a camera on them. This technique isn't just about technical skill; it directly impacts the show's tone and humor. You can feel the anxiety of the characters coming off the screen. The dynamic, continuous camera work mirrors the often stressful situations the characters find themselves in, amplifying the comedic effect. It feels like anything can happen in any scene, and you're not going to cut out of it for relief; you just have to be along for the ride and see where it goes. Seth and Evan feel this stylistic choice significantly enhances the humor, making it some of the funniest work they've created. I would point to some of the pratfalls where the camera keeps rolling. Usually, you would cut out of them, but we see people faceplant and then have to keep going. And you have to keep laughing as the scene rolls on. Summing It All Up Next time you're watching, keep an eye out for those long, seamless long takes – they might just be adding a hidden layer of complexity and artistry to your viewing experience.Let me know what you think in the comments.
It feels like I have been measuring this year based on the days I spent without The Studio in my life, and now that it's here, all the laughs and fun times I've had since it debuted.
It's easily become my favorite show on TV because it shows a depth to Hollywood and the situations it describes, even the most ludicrous ones, all have a sense of reality.
One of the ways they get across the frantic and manic parts of making movies and TV is that they shoot the show largely in oners. It's a deliberate choice by Seth Rogen and Evan Goldberg that elevates the storytelling and works in tandem with the themes.
Let's dive in.
Based on insights from Seth and Evan in the video, this challenging approach of shooting mostly oners for every episode was a deliberate choice for their show.
Filming a scene in one long shot isn't easy; it demands intense focus and precision from everyone involved, both cast and crew.
There's no cutting away, so every moment has to be perfect.
So, why choose such a demanding method for a television show?
Well, Seth and Evan believe it adds a unique, almost play-like feel to the scenes, making them more cohesive and engaging.
You can see the chemistry with the acting, and you get a lot more natural movement. Their goal wasn't just to get the scene filmed, but to capture it in the most interesting way possible, even if it meant embracing the difficulty.
And you can see that in the performances, which never feel like they know there's a camera on them.
This technique isn't just about technical skill; it directly impacts the show's tone and humor. You can feel the anxiety of the characters coming off the screen.
The dynamic, continuous camera work mirrors the often stressful situations the characters find themselves in, amplifying the comedic effect.
It feels like anything can happen in any scene, and you're not going to cut out of it for relief; you just have to be along for the ride and see where it goes.
Seth and Evan feel this stylistic choice significantly enhances the humor, making it some of the funniest work they've created.
I would point to some of the pratfalls where the camera keeps rolling. Usually, you would cut out of them, but we see people faceplant and then have to keep going. And you have to keep laughing as the scene rolls on.
Summing It All Up
Next time you're watching, keep an eye out for those long, seamless long takes – they might just be adding a hidden layer of complexity and artistry to your viewing experience.
Let me know what you think in the comments.
