Formica (r)Evolution Makes the Case for Laminates in Design History

At Milan Design Week 2025, Formica reframes laminate as a true design staple in history with a layered, story-driven exhibition called Formica (r)Evolution.

Apr 28, 2025 - 14:49
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Formica (r)Evolution Makes the Case for Laminates in Design History

Formica (r)Evolution Makes the Case for Laminates in Design History

Often dismissed as dated or utilitarian, laminates don’t always get the love they deserve. But at Milan Design Week 2025, Formica Group gave them a well-deserved spotlight. The brand staged a compelling case for laminate’s place in design history with Formica (r)Evolution. Housed at FENIX Scenario, the exhibition took visitors on a layered journey – literally and metaphorically – through the decades, showcasing over 40 pieces that highlight Formica’s revolutionary role in shaping modern living.

Shop window with "FENIX" sign, displaying modern furniture and decor, with a large glass pane reflecting buildings and trees from the street outside

The exhibition’s scenography, designed by multidisciplinary firm Sopa Design Studio, leaned into the foundational element of Formica laminate: paper. Stacked layers of paper are pressure-pressed at high temperatures to create the raw material that eventually becomes the surface patterns and forms we know today. Here, the humble origin was brought to life with bold impact.

A storefront window with "formica(r)evolution" text, showing a modern interior with tables, chairs, lamps, and red decorative details. Building reflections appear on the glass

A modern interior space with a bold red wavy ceiling, blue accent wall, display tables with various objects, and patterned surfaces in a well-lit room

Modern showroom with red flooring, contemporary furniture including a round table, a chair, a tube shelf, and a yellow coffee table, with minimalist wall clocks and panels in the background

Upon arrival, visitors were greeted with a dramatic installation of red paper cascading from the ceiling, a nod to both Formica’s signature material and its iconic logo. The exhibition then unfolded across three thematic sections: Signature Design, Fluid Objects, and The Roaring ‘60s and ‘70s. Curated by Daniele Lorenzon (founder of the galleries Compasso Design and Gilda&Co) and architect/designer Alessandro Pedretti, the exhibition celebrated both legacy and innovation.

A round white table with a black metal base stands on a red floor, with minimalist decor and various clocks mounted on a white wall in the background

A person wearing headphones watches two vintage television screens displaying a Formica advertisement and people working at a table

Signature Design spotlighted objects by icons like Charles and Ray Eames, GioPonti, and Alvar Aalto, showcasing how Formica laminates played a role in some of their most recognized works.

Fluid Objects explored the material’s adaptability – featuring pieces that transform through shape and function.

And The Roaring ‘60s and ’70s offered a vibrant look into two pivotal decades of Formica’s evolution across homes, public spaces, and commercial environments.

A modern chair with a metal frame and beige straps sits atop a stack of red platforms separated by layers of cardboard tubes

A triangular cutout made of white card lies on a red desk next to a wooden tray containing a pencil

A display features a vintage chair, desk, and radio on mid-century modern tables with geometric decor on the wall and cylindrical props, all arranged on a red platform

Two tables on a red surface: one with a red and green checkered top holding a geometric vase, and the other with a yellow daisy floral pattern

A stack of shelves with a piece of brown paper folded to resemble a collared shirt placed on the top shelf, against a red floor background

Further emphasizing the relationship between Formica’s legacy and its material origins, the exhibition also featured handcrafted works by Yoko Miura, a Japanese papercraft artist. Her poetic, minimal sculptures – ranging from a teacup to a handbag, a vase of flowers to an umbrella – were made entirely from paper. These everyday objects subtly animated the furnishings on display, adding a quiet layer of storytelling that tied the history of laminate back to its simplest form.

Two beige cube objects, one with a simple smiley face, rest on a dark wood table with thin metal legs and a lower shelf, set against a red floor

Four beige paper cups, three stacked and one standing next to them, placed on a glossy, geometric table with red, orange, and white triangular sections

A wooden cabinet with doors open displays geometric paper objects including a bottle and cup, with shelves holding green and white scroll-shaped items

While Milan Design Week has come a close, Formica (r)Evolution hinted at what’s next: a permanent exhibition concept at FENIX Scenario to continue welcoming industry professionals and design lovers alike into the ever-expanding world of laminate’s creative potential.

A round, white table with an open compartment holding beige envelopes sits on a blue patterned floor. Beige objects, including a handbag and a box, are on top

Formica T150 record holder by Osvaldo Borsani for Tecno in 1966

A yellow vanity table with a raised mirror, metal legs, a drawer, and beauty products on top, set against a pink background

Formica Vanity

Two wooden chairs on a light patterned floor, a pair of sandals, and a stacked block tower with scattered blocks nearby

Formica Children’s stools by Alvar Aalto made for Artek in 1935

A rectangular table with a pink checkered surface is surrounded by four matching chairs. Beige vases with dried flowers and a beige handbag rest on the table and chair. The background is pink

Formica Extendable Checkered Table with Matching Chairs

A yellow table with black metal legs holds two closed books and a white decorative apple, set against a pink mosaic tile background

Formica Tea Table designed by Charles and Ray Eames for Herman Miller in 1950

A mid-century modern wooden desk with drawers and angled legs stands on a blue patterned floor, with books, paper, and a sculptural lamp on top

Formica Desk designed by Gio Ponti in 1940

A gold metal cabinet on wheels with a glass top holds a beige table lamp and a sculptural object, set against a patterned yellow background

Formica Bedside Table on Wheels by Ermenegildo and Eugenio Soncini for the Madonnina nursing home in Milan in 1957

A mid-century modern side table with red, yellow, and blue surfaces displays a geometric paper plant in a pot and a paper watering can against a pink patterned background

Formica Plant Stand

To learn more about the Formica (r) Evolution, their latest projects, or events, visit formica.com.

Photography by Sara Magni.